The Band

/The Band
The Band 2019-03-12T12:00:55+00:00

BIO

Harmonious Wail are purveyors of Americana infused Gypsy Jazz that continues to take their listeners on a ride via the music of the Hot Club sounds of Paris to the deepest blues of the Memphis Delta to the folk scenes across “every town” America. The Wail are sublime entertainers, great educators and they’ve mastered the art of lifting spirits.

Harmonious Wail is Sims Delaney-Potthoff, a mandolin virtuoso, bandleader, vocalist and master of all things behind the curtain, Maggie Delaney-Potthoff, vocalist extraordinaire whose percussive instrument of choice is a cardboard box, but who also has a knack for exploring the musicality of almost any household object, and Jeffo Weiss, a master bassist who dazzles and mesmerizes on both upright and electric 5-string bass.

Every performance is played from the heart and infused with the perfect balance of ingredients that firmly proves that music truly does make the world a better place. The Wail celebrates 10 recordings in their 30 years of existence and is currently kicking off their 4th decade recording a new CD that teams them with a group of Gypsy Jazz All-stars.

Their gracious approach to music translates beautifully in any outreach program. They have honed their skills to provide excellent educational programs tailored to fit groups of varying skill and age. Popular topics have included; ”the instrumentation of Gypsy Jazz”, “how to succeed in the music biz”, and Maggie’sMethod™ “If You Can Speak You Can Sing”.

Not only a touring band the ever reaching Harmonious Wail has enriched their lives working with National Public Radio by performing on multiple shows and even donating songs to use in annual fundraising campaigns. They have founded multiple charitable organizations placed music in film and recently received the 2017 Musicnotes Outstanding Musical Career Achievement Award.

As stewards of the Gypsy Jazz genre, they founded and have grown the Midwest Gypsy Swing Fest over the last decade and have begun to take the show on the road as a special concert package bringing amazing musicians from around the world together and placing them in front of concert audiences throughout the US.

Download One-Sheet

BOOKING:

Tiffany L. Goodman
773-283-2830
Tiffany@goodmanartists.com


Promo Materials:

photos by Nick Berard

Poster

One Sheet & Bio

Stage Plot

Technical Rider – Harmonious Wail

Please contact Sims Delaney-Potthoff (608-658-6988 / sims@wail.com) for all non-technical questions.

This Rider is attached to and made a part of the Contract between Harmonious Wail and the purchaser of said services as defined on the face of the Contract in connection with the Artist’s performance(s) at the venue described therein.

I. PRODUCTION AND STAGING REQUIREMENTS

LIGHTS

A competent lighting technician shall be provided. A general wash with specials focused on the mandolin, guitar, bass and vocals for solos is sufficient. However, appropriate creativity is appreciated and welcomed.

SOUND

A qualified/cooperative sound mixer (engineer) and a concert sound system of sufficient size, sophistication, and quality to deliver to all members of the audience an amplified blend of ARTIST’S music (including all instruments). The sound shall be free of distortion, feedback and extraneous noises consisting of the following:

Prefer the soundboard to be capable of three separate stage mixes. One can work if three cannot be provided.

Six (6) microphones stands. See stage sheet for specifics.

3 mics

1 vocal mics (Shure Beta 58’s preferred)

2 instrument mics with (Shure Beta 57’s, SM 81’s or Neumann KM84’s preferred)

Three (3) monitor speakers, each with a 15-inch speaker and a horn (e.g. Bag End 1202 highly preferred).

Three (3) channels of amplification for the monitor speakers. Each channel should provide at least 95 watts into 8 ohms (e.g. two Yamaha P2100’s).

A minimum of two (2) outlets of AC power (120 volts, 15 amp circuits) must be available on stage for ARTIST’S electrical equipment. One located at mandolin and the other at the bass amp.

Sound Check: A sound check is mandatory and should be a minimum of one hour. A sound engineer shall be provided. The sound engineer must be available throughout the entire sound check and performance.

All equipment must be set up and in place prior to the Artist’s arrival.
Minimum stage requirement: 20’ x 12’.
One small side table with covering (to put the percussion instruments on).
*For Technical questions, contact Sims Delaney-Potthoff – (608) 658-6988, sims@wail.com

SOUND AND LIGHTING CHECK

Sound check should begin one (1) hour before the doors, provided all sound and lights are set and in place.

Presenter shall not open house until technical set-up and sound check has been completed. Artist shall complete sound check in ample time prior to doors opening, provided there are no technical problems

House lights will be dimmed two (2) minutes before curtain to facilitate audience seating. II. MERCHANDISE REQUIREMENTS:

One eight-foot table and two chairs in a mutually agreeable location to sell merchandise. Artist shall retain 100% of the proceeds from such sales, unless otherwise agreed.

III. HOSPITALITY

One large or two small dressing rooms with heat and air conditioning, with a clean rug and mirror. A Secure facility please.

Parking as close as possible to backstage entrance for Artist’s van. Eight (8) complimentary tickets per show.

A light dinner, organic & local (not Applebee’s or chain pizza) when possible but not necessarily vegetarian (incl. Entrée, vegetables, bread, dessert and drinks) for 4 people after sound check. Plenty of bottled water, hot tea with honey and lemon please. A cold 6-pack of a LOCAL ale, or Heineken is greatly appreciated.

IV. PUBLICITY

Artist is available for any media interviews with prior approval. Please provide Harmonious Wail with copies of all previews, write-ups, articles, and reviews relating to the Artist and this engagement in the local press.

V. TAXES

Purchaser shall pay, at it’s sole expense, all taxes, fees, dues, levies and the like relating to the Performance and the sums payable to Artist shall be free of same. This shall not apply to any Federal or State income taxes imposed by law on Artist for performance performed within the US but shall apply to all forms of taxes including, without limitation, any business occupancy tax or any value added tax (VAT).

Sims Delaney-Potthoff
Sims Delaney-PotthoffMandolin, Vocals
Sims Delaney-Potthoff, Harmonious Wail’s founder, leader and mandolinist , credits Jethro Burns with the band’s unique, enticing style of mandolin-driven gypsy-jazz. Sims studied for seven years with Burns, the legendary jazz mandolinist, laying the foundation for Harmonious Wail’s acoustic string sound. He furthered his studies with Matt Glaser at Boston’s Berklee College of Music, honing his skills while immersing himself in the “gypsy” music of Django Reinhardt and Stephane Grappelli (Lester Young, Charlie Parker, Bireli Lagrene, Duane Allman, David Grisman, and Louis Armstrong are also on his list of musical heroes). Sims also plays a 1937 Gibson Tenor Guitar (tuned as an octave mandolin), sings, writes and arranges for the Wail. He founded the group in 1987.
Maggie Delaney-Potthoff
Maggie Delaney-Potthoff Vocals, Percussion
Vocalist Maggie Delaney-Potthoff is a captivating performer. Equally at home scatting over a bebop tune, soaring on a solo, or blending with the Wail’s tight vocal harmonies, she delivers both powerhouse tunes and ballads with confidence and ease. Her sensual, sinuous movements (a product of her background in dance and theatre) and her use of a cardboard box played with brushes as a drum add to the charm she exudes onstage.
Jeffo Weiss
Jeffo WeissBass
Jeff Weiss, recent graduate of UW-Madison’s School of Music, is already a master bassist with dazzling artistic prowess. Awarded the 2012 Madison Area Music Award for best bassist of the year, Jeff brings to the Wail a mesmerizing technical facility on the fretboard, a sophisticated and versatile style, and a powerful ability to create musical ambiance and rapport. Jeff studied under Richard Davis for five years and was principle bassist for UW-Madison’s Symphony Orchestra. Jeff’s music reflects a broad application of classical and jazz influences.